Tag Archives: interviews

CBC Radio Interview About My Play Father Hero Traitor Son

Father Hero Traitor Son
“Would you strike your father?” “Would you hang your son?” Photo by Elizabeth Sawatzky
From the CBC website:
“The Fundy Fringe Festival Opened This Week”

Evan Andrew Mackay is a playwright and actor who’s home from Toronto to stage his new play Father Hero, Traitor Son.

http://www.cbc.ca/informationmorningsaintjohn/2013/08/23/the-fundy-fringe-festival-opened-this-week/

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Drop That Banana! Doleful Story of Corporate Malice and Control of Media

Bananas!* (2009) is a documentary about Dole food company being found liable, in an LA courtroom in 2007, for malice and misconduct. No surprise, they got that reversed. (Yeah, like a group of poisoned banana farmers from Nicaragua could win against a billion dollar multinational. Disney puts all the happy endings in their movies, not in their news programs.)

Bananas!* At Any Cost?

Just as Bananas!* was set to open at the LA Film Festival, Dole threatened to sue everyone involved in the production and presentation of the film. Plucky Swedish filmmaker Fredrik Gertten decided that, if they were going to sue him and try to silence his film, he would capture it all on film. The result is the nail-biting and inspiring new film Big Boys Go Bananas!* (2011).

Big Boys Go Bananas!*

As I sat down to watch my reviewer’s copy of the film, a friend offered me a banana. “Is it Dole?” She thought it might be Chiquita. I lamented (whined, blew hot air), “That’s no better.” I prefer my banana growers unpoisoned and fairly paid. As described in the film Big Boys Go Bananas!*, (and reminiscent of stories of corporate news-hijacking discussed in another fine new doc, Shadows of Liberty) Chiquita got an apology from the Cincinnati Enquirer for its 18-page 1998 exposé of how “Chiquita exposed entire communities to dangerous U.S.-banned pesticides, forced the eviction of an entire Honduran village at gunpoint, suppressed unions and paid a fortune to U.S. politicians to influence trade policy.”

Dan Koeppel, journalist and author of Banana: The Fate of The Fruit That Changed The World, says in Big Boys Go Bananas!* “We have an astounding lack of curiosity, the journalism community in the US; a lack of skepticism.”

During the Hot Docs film festival earlier this month, I interviewed the unassuming Gertten. I asked him what he made of this lack of curiosity. Gertten told me his Canadian producer of Bananas!*, Bart Simpson (also of The Corporation), “couldn’t get people interested in this story. [People thought it was]…too heavy… too much …Maybe it’s too dangerous.”

What has changed since Bananas!* [the first film] came out?

In my own country they say that Fair Trade bananas has more than doubled. In that sense, the Fair Trade farmers have better conditions than before. The conventional bananas are produced as they have always been produced, under a cloud of chemicals—one third of the production costs of conventional bananas is for chemicals. So my film, in that sense, hasn’t changed anything for the banana workers. What I did for the banana workers in Nicaragua is, they have fought for a long time to tell their stories to the world. I told their story.

Are things like the Occupy movement and Fair Trade making an impact?

The people who created the financial crisis are still in power…My new film is partly about the PR industry…When a big corporation has a PR crisis, they do everything they can to turn the story around. Can you imagine how much the banks are spending on PR over the last five years! And you can’t follow that money. Because, you read an op-ed in a big newspaper here in Toronto signed by some professor; that op-ed could be written by some PR company and paid for by a bank. And everybody’s hunting away with their microphones to interview the professor, but he’s actually just sending out a paid message from the most powerful people in the nation. And if we could follow that money, if the PR business was transparent, we could see, “OK yeah, but you’re talking—these guys are paying you.” Then we would listen to him in a different way. And that doesn’t happen. So, in these times when journalists are losing self-confidence and losing jobs, and the PR industry is growing and making more money than ever, I think we need to legislate about transparency. If they don’t want to be transparent by free will, then we have to ask for it.

Both films are playing in Toronto this week at Bloor Cinema.

For more information on the films, see http://www.bananasthemovie.com/ and http://www.bigboysgonebananas.com/about

Please read the published portion of my interview for more about why Gertten thinks a documentary about a banana company might be considered “dangerous”. Post City www.postcity.com/Eat-Shop-Do/Do/May-2012/Now-playing-Indie-filmmaker-Fredrik-Gertten-takes-on-food-giant-Dole-He-tells-us-why/

Now go enjoy a Fair Trade banana.

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Shadows of Liberty: The Real News is on the Comedy Network

What’s the news?

If you had wanted to know what dirty deals Conrad Black was up to a decade ago, would you have wanted to rely on information from a newspaper he owned  (National Post – Canada, The Daily Telegraph – UK, Chicago Sun Times – US, Jerusalem Post – Israel, and hundreds of community newspapers in North America)? That’s what you do when you believe the daily headlines and the evening news. The vast majority of the “news” we are marinating in is owned by five corporations, one of which is Disney. Does it make sense to get your news from Disneyland? Not that every word is a lie; even the devil sometimes speaks the truth. But one is advised to seek better sources.

On the weekend I had the privilege of speaking with Jeff Cohen, journalist, media critic, and founder of Fairness & Accuracy In Reporting (FAIR). (He will be familiar to those who have seen Outfoxed: Rupert Murdoch’s War on Journalism.) Cohen was in town for Hot Docs, the documentary film festival, for the world premiere of a documentary in which he appears, Shadows of Liberty. This stylish and important film, written, directed and produced by UK-based expat Quebecer Jean-Philippe Tremblay, takes its title from Thomas Paine

“When men yield up the privilege of thinking, the last shadow of liberty quits the horizon.”

Evan: When “the news” is filled with celebrity scandals and sports, what does the word “news” even mean any more?

Cohen: News is changing in so many ways. It’s shrunk in terms of how much of it is about information we need [in order] to be informed citizens in a democracy. In [the US], one of the few bright spots that really has people thinking more critically is Jon Stewart’s Daily Show and Colbert Report. It does the kind of feisty reporting that news is supposed to do. In my country, you can’t say that stuff unless you’re a comedian. Since they don’t pretend to be journalists, they can get away with journalism. 

What effect will Shadows of Liberty have on audiences, and what can they do?

I think they will walk out saying “I can’t trust corporate news.” I think that’s the first thing. A lot of people in the movie have organizations and websites. Amy Goodman hosts Democracy Now!. John Nichols writes for The Nation. Hopefully people will leave the movie critical, not trusting, and they’ll search the internet. And as long as we maintain a free internet, they’ll be able to find alternatives, and those alternatives will keep growing if we can protect the internet.

Read more of what I heard from the director and Cohen at http://www.postcity.com/Eat-Shop-Do/Do/May-2012/Hot-docs-interview-why-you-shouldnt-believe-anything-you-read/

And for another spectacular example of corporate control of media, see what happens to Fredrik Gertten when dares to make a documentary about food conglomerate Dole. http://www.bigboysgonebananas.com/

My interview with that filmmaker will appear next week. [Now available http://www.postcity.com/Eat-Shop-Do/Do/May-2012/Now-playing-Indie-filmmaker-Fredrik-Gertten-takes-on-food-giant-Dole-He-tells-us-why/ Also see GoodEvaning post "Drop That Banana!"]

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Marina Nemat’s Memoir “Prisoner of Tehran” Now on Stage

Just as Marina Nemat and director Maja Ardal had to be selective when adapting Nemat’s astonishing memoir Prisoner of Tehran for the stage, so did I have to be selective in adapting a half-hour interview with the author and human rights activist to a brief online Q&A format.

One point I wasn’t able to include was part of Nemat’s response to my question about how she can balance addressing the wrongs committed in Iran against the misconceptions and general negativity many North Americans may harbour about Iran. She said,

“The world is talking about Iran having a nuclear bomb? …The people of Iran have not been losing their children to the nuclear program; they have been losing their children to the terrible disregard for human rights in that country. …the problem of Iran is the struggle for human rights, and it is hurting the Iranian people more than it is hurting anybody.”

She also spoke about the role of the arts in addressing human rights issues. She spoke of how theatre, painting, and so on, shed light on the shades between black and white that are see in the media. “CNN and the news fail to introduce the human side of the story. And this play and [my] books and talks try to put a human face to this very difficult situation.”

Please read what did make it into the published interview here:

www.postcity.com/Eat-Shop-Do/Do/April-2012/Prisoner-of-Tehrans-Marina-Nemat-We-wanted-to-make-people-in-the-theatre-really-feel-uncomfortable/

Marina Nemat,  Prisoner of Tehran

Marina Nemat, human rights activist and author of Prisoner of Tehran

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Talking with Aliens and Jann Arden

Not at the same time, obviously. Jann Arden is much too busy these days to chat with extraterrestrial lifeforms, intelligence notwithstanding.

Jann Arden is more fun than a barrel of monkeys, and sings better too. She comes across as wise and youthful in equal measure.

Jann Arden endures hasty photography

Jann Arden endures hasty photography

What has she been up to recently? What hasn’t she been up to! A live CD/DVD Spotlight, a new book Falling Backwards: A Memoir, her radio show Being Jann, and for the last six weeks of summer she brings reality to TV on Canada Sings!.

Jann is on the panel of “judges”, although they are more like witnesses, alongside Montrealer  Pierre Bouvier of Simple Plan, and Robert “Vanilla Ice” Van Winkle (you know you’ve been missing him).

Here’s a taste of what she had to say to me last week at the Pantages Hotel in Toronto:

On Canada Sings [Arden playfully sings an A natural], did you want to be the mean judge with the accent?
Yeah, wouldn’t that have been easy. You know, when they made me the offer I thought, “I don’t want to do this.” But my manager said, “It’s not what you think. It’s not 100 kids that want to be flown to Vegas to be famous and get a record deal.” These are people that want to earn money for their charity. These are people that don’t typically sing and dance. These are firemen, teachers, zookeepers, truck drivers. What a cool concept! Everybody wins. Not a record contract, but a nice chunk of money for the charity of their choice. Plus, they have this experience that takes them over the course of a few weeks, working with vocal coaches and choreographers, and they get to be in the spotlight on a national TV show, singing and dancing in a production that is as good as anything I’ve seen on Broadway. And I am not kidding you; nobody sucks! Nobody!

Are you concerned one of these groups of ordinary working Canadians might do so well that they quit their day jobs and leave a hospital or something without a staff?
I would be thrilled if that happened…

Oooh, cliffhanger! Read on at Post CityQ&A with Jann Arden: Juno Award winner, author and celebrity judge on Canada Sings“.

Whereas Jann Arden is completely down to Earth, the subject of Getting Over the Alien Language Barrier is the contrary. I’ve taken my obsession with languages to new heights. AE the Canadian Science Fiction Review had the vision to publish what I had to say, and everyone else is part of the government coverup. It starts like this:

You never know when it’s going to happen. A flying saucer pulled off the side of the highway with the hood up, alien waving a tentacle wielding what could be a sparkplug, a cellphone or a ray gun and shouting, “Znelflgjpd knorb zlothkpmzus!” How would you respond? You’ve hit the alien language barrier. With NASA’s Kepler telescope spotting potentially habitable planets by the dozen outside our solar system, it may be time for us to start brushing up on our extraterrestrial language skills, or get ready to tutor E.T. in Earthish as a Second Language.

Read more at AE Sci Fi

Leave comments here,

leave comments there,

leave comments everywhere,

in any language,

in any medium.

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Community Reads “Midnight at the Dragon Café”

To have a book selected for a “One Book” community read, where the whole city or town is encouraged to read and discuss the same book, honours a writer even more than winning a contest because, as Judy Fong Bates told me, when the community chooses, “it’s not books from a particular year or genre. It is overwhelming considering how much they have to choose from.” Unlike many books that are singled out with grand awards or other attention, I found this book and this author entirely deserving of notice. I have the One Book campaign to thank for making me notice.

Midnight at the Dragon Café by Judy Fong Bates

Midnight at the Dragon Café by Judy Fong Bates

EAM: Why is reading important?

JFB: Oh, to me that’s so obvious. I just feel that reading should be part of one’s lifeblood. Don’t you?

EAM: Certainly I do, but what would you impress upon the people who need to be reminded to read?

JFB: When I think of reading, I think of stories. Stories tell us who we are. Stories expand our horizons. They take us into places we might not ever think of going. I mean, on that more profound level, they make us look at things from new angles and they add depth to our lives, but in another way it’s also fun!

For more new angles, depth and fun, keep reading, at www.postcity.com

Q&A: Judy Fong Bates, author of this year’s One Book selection

http://www.postcity.com/Eat-Shop-Do/Do/April-2011/Q-ampA-Judy-Fong-Bates-author-of-this-year-039s-One-Book-selection/

Judy Fong Bates

Judy Fong Bates (from the author's website)

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Here Comes My Big Brother: Robert J. Sawyer’s Wonder

Robert J Sawyer‘s 20th novel Wonder is being launched in Toronto tomorrow and will be in book stores on April 5th.

ROBERT J. SAWYER  Photo Credit: Christina Molendyk
ROBERT J. SAWYER Photo Credit: Christina Molendyk

Since 2008, I have been attending talks by Sawyer in Moncton, Montreal and Toronto, on a range of topics covering writing, publishing, science and philosophy.

I recently interviewed him for the second time. The first time was at the beginning of his WWW trilogy about the World Wide Web spontaneously becoming self-aware; this time his trilogy is concluded. Please read my article Here Comes My Big Brother: Robert J. Sawyer’s Wonder posted at AE The Canadian Science Fiction Review

or for a very abbreviated version of the interview please read http://www.postcity.com/Eat-Shop-Do/Do/March-2011/Wonder-lust-Robert-J-Sawyer-launches-his-latest-novel/ at www.PostCity.com (where you may encounter more of my writings).

Wake

Wake

Watch

Watch

Wonder

Wonder

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Yes, Shatner is Canadian!

You might know who “Beverley” Leslie Jordan is, even if you don’t know you know him. The 55-year-old comedic actor steals scenes on stage, film, and television (best known as “Beverley Leslie”, nemesis of Karen Walker on Will & Grace). He flies into Toronto tomorrow for one night to perform a one-man show tailored to the audience, a fundraiser for the CLGA. In honour of Jordan’s Boston Legal co-star William Shatner and last night’s “Genies“, here is part of the interview:

You’ve worked with William Shatner. Can you name the awards show he’s hosting?
No!

The Genies.
What is it?

Like the Canadian version of the Oscars.
Wow! Is William Shatner Canadian? I enjoyed working with him. I like him. He’s funny.

Would you ever want to host the Oscars, or would it be easier just to win one?
Oh Gosh! I don’t want to host one, I don’t want to win one, I don’t want to be nominated for one. I went to the Emmys once. It was the most nerve wracking thing. It was torture. I mean, you’re not going to get any sympathy: “I had to go to the Emmys and I won. Poor me!” But I’m telling you, at one point I thought I was having a heart attack.

Will there come a time when being gay is as widely accepted as being left-handed, and what would it take to get there?
I can’t believe you just said that! I’ve always said that I would love for a parent to say, “I think my child is going to turn out gay” the way you say, “I think my child is going to be left-handed.” Not so much with pride or shame, just that it is.

Read the rest at Post City online http://www.postcity.com/
http://www.postcity.com/Eat-Shop-Do/Do/March-2011/Loud-and-proud-Leslie-Jordan-at-Hart-House/

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What Would ET Say?

At the Centre for Inquiry’s “The Great Extraterrestrial Debate” at U of T last Friday, Dr. Seth Shostak, senior astronomer at the SETI Institute (Search for Extraterrestrial Intelligence) told us what to expect when we finally encounter E.T., which he wagers a cup of “Tim, what is it, Hortons coffee” will happen in the next few decades.

Given the billions of potentially life-supporting planets in our galaxy alone, Shostak takes it as a given that we’re not alone. But a signal traveling at the speed of light may take thousands of years each way. By the time we get word from another civilization, the senders may have been extinct for millennia.

So when we finally get a signal, what will E.T. be saying?

Read the rest at Post City!

http://www.postcity.com/Eat-Shop-Do/Do/March-2011/SETI-is-listening-what-to-expect-when-ET-makes-contact/

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Interview with Optimistic SF Writer Robert J. Sawyer

Robert J. Sawyer: A Sunnier Tomorrow by Evan Andrew Mackay,

published 2011 January 10 edition of AE — The Canadian Science Fiction Review:

From Orwell to Atwood, speculative fiction offers plenty of grim futures to ponder. But reading Robert J. Sawyer is a positive experience: You learn a lot of fascinating facts, contemplate new ideas, enjoy a good story, and end with the impression that the future might not be all that bad. While we need cautionary tales, a good dose of intelligent optimism also makes for a satisfying read. As a fan wrote to Sawyer about his latest novel, WWW: Watch, “It is rare to find a fresh idea that offers hope and delight, and rarer still for that beautiful idea to come with evidence that really convinces the heart and mind, and moves someone to say ‘Yes, it’s true, we really can become better people.’”

windowless room

 

Robert J. Sawyer

And why wouldn’t Sawyer be optimistic? Since the age of 23, he has made his living in the arts, in Canada — and with 20 novels sold and the trifecta of Hugo, Nebula and John W. Campbell awards to his name, his career has been a spectacular success. Sawyer arrives full of energy, at ease, and ready to talk, over a light pub lunch at “The Unicorn” in Toronto before meetings with his new publisher, Penguin. A seasoned speaker, he emphasizes he is not intimidated by the voice recorder and slides it right in front of himself. A perusal of Sawyer’s website sfwriter.com will corroborate that this man is not a technophobe.

Wake, Watch, Wonder

In his latest trilogy WWWWake (2009), Watch (2010), Wonder (due out in April 2011) ― Sawyer lays out a hopeful view of things to come with what he says is the inevitable advent, this century, of artificial intelligence that will spontaneously emerge and then develop to surpass human intelligence. “I don’t think it is inevitable that [the existence of beings more intelligent than humans] means the end of life as we know it,” he says.

“I wrote my trilogy in response, in part, to the large number of negative portrayals of the future of humanity at the hands of our robot masters, of emergent AI, because the only visions we had were The Matrix, The Forbin Project, Terminator, every computer Captain Kirk had ever gone up against, Neuromancer, cyberpunk — we did not have a model, a template for the future in which we might survive with our essential humanity, liberty, individuality and dignity intact. I don’t know that we’re going to be able to do that, but I think if the only models that are on the table are ones where, if at midnight tonight the World Wide Web wakes up, tomorrow morning the human era ends ― if that’s the only template that’s on the table, we’ve given up the battle before we’ve even arrived at the battleground. I think an argument can be made, and I make it at length over the course of three books here, it’s a subtle argument but I think it can be made, and it does at least bear initial scrutiny that there is a path out of this.”

Keeping an Eye on Big Brother

Even without considering the notion of the World Wide Web becoming self-aware, there are and always have been concerns about the hazards of the Web: from the annoyance of spam to the perils of identity theft, from Web censorship in places like China to the heinous crimes of child pornography where the Web is unregulated. Orwell’s vision of Big Brother is now so quaint as to bring a tear of nostalgia; Big Brother is watching you, but you are watching Big Brother. With the World Wide Web enabling the average citizen, in much of the world, to instantly retrieve or transmit information of any sort or quantity, person to person or in interest-based, regional or global forums, can a person get away with anything these days? Can a corporation or — in light of organizations like Wikileaks — can a government?

The first two books of WWW look at various facets of these concerns. In Wake, a freedom blogger in China tries to evade the authorities while communicating his suspicions online about a mysterious government cover-up. In that first novel, the heroine Caitlin’s private world is necessarily exposed to the scientist whose implant has corrected her blindness, but in the second novel, Watch, her every move is shadowed by the fictitious US government agency called W.A.T.C.H. and by the now-highly-developed consciousness Webmind which sees through Caitlin’s own vision. In Watch, Webmind is able to read the email of everyone on the Web. But although that’s fiction, these issues are still of concern to every user of Facebook or Google, really of every person who goes online or whose personal information exists online, which surely includes you (you are reading this online, aren’t you?). So before getting into the what-ifs of AI, let’s look at what the Web means to the world as it now stands.

WWW — The Key to Our Future?

Is the World Wide Web the key to our future? Sawyer answers, “Yes. Several reasons. The first is, the World Wide Web is the first infrastructural necessity that’s ever existed that isn’t controlled by any one government or region.” Within a region, of course, there can be far-reaching control. Such control is exerted in China, and Sawyer begins examining the implications of this control in Chapter 2 of Wake. Two and a half millennia ago Lao Tzu said, “People are difficult to govern because they have too much knowledge.” Sawyer’s balanced portrayal of the government and the people of China ― a country he has visited and where the Galaxy Award winner has a loyal following — is both sympathetic and pragmatic, no more and no less than a crucial element in his story. “There’s no way that China will be able to succeed indefinitely in keeping people in the dark. It just can’t be done,” he says. And the means by which they will find the light? “The Web will be that tool!”

Back to why it is the key to our future. “We have with the World Wide Web, by design, something that ― and increasingly so year by year ― is decentralized in its authority, ungovernable by its nature, and therefore liberating in its use.” What’s more, it is unstoppable, and “that is wonderful, in the sense that we have become dependent on something that nobody can take away from us, unlike, say, oil, where we are at the whim of the oil producers be they domestic or foreign.” And there’s more. “I think the World Wide Web is also key in a lot of ways to world peace. I’m an optimist at heart, and I do believe this ― the fact that in my own life, just on my Facebook page, I am routinely communicating with people, in Africa and Korea and China and Japan and so on and so forth ― you cannot be locally partisan when you are on the World Wide Web … When we look at pictures of Earth from space, you can’t see the borders. All you see is the unity. And of all the things we have ever built, this is the only one that actually is a worldwide entity.”

Helen Keller, The Matrix and the Origins of Consciousness

Sawyer describes the WWW series as the meeting of the mostly Canadian William Gibson whose seminal cyberpunk novel Neuromancer set the stage for the Wachowski Brothers’ movie The Matrix, and the late American playwright William Gibson who authored the play The Miracle Worker, about Annie Sullivan teaching Helen Keller to communicate and become aware of herself and the world around her. The inspiring story of Helen Keller and her teacher provides the template for the relationship between Caitlin and Webmind in Sawyer’s trilogy.

portrait 1960s

Sawyer believes consciousness will arise in some manifestation of AI much as it did in the evolving human mind not so long ago (in evolutionary terms), as Caitlin reads in Julian Jaynes’ influential 1977 treatise The Origin of Consciousness in the Breakdown of the Bicameral Mind. “I suspect that the scenario that’s in my book, the World Wide Web gaining consciousness without it being planned to do so, is far more likely than somebody at MIT or Google or Microsoft announcing to the world, ‘I have made it in my lab,’” Sawyer says. “I suspect that when we do face AI on this planet, it won’t actually be artificial in the sense of some clever programmer figuring out how to code it.”

Colour burst abstract

Although AI is often imagined as coming from some software engineer writing “X number of lines of code that wake up and say cogito ergo sum …” Sawyer says, “I don’t think anybody has made any progress at all towards that.” An AI researcher tried to convince Sawyer he had a laptop that “learns.” Sawyer doesn’t think so, adding, “I don’t think it’s got one iota closer to being self-aware than an abacus is.” Sawyer thinks self-awareness will come to AI as it did to us: “Our consciousness was an emergent property of the complexity of our brains. Evolution is not teleological … nothing thrusting us towards being self-aware. It just happened.” It happened as an accident of evolution and it stuck around because it “turned out, apparently, to be useful, at least for the last 40,000 years.” In Jaynes’s theory, human consciousness developed a mere 3,000 years ago, before which time people essentially just did what their un-unified cerebral hemispheres told them to do.

But what is consciousness? In WWW, Sawyer examines the boundaries of consciousness and self-awareness from several angles. Caitlin, blind from birth, gains sight and must learn new ways of processing information and perceiving the world. One character, a high-functioning autistic genius, exhibits minimalist social interaction and a hyper-focused way of understanding the world that is scarcely comprehensible even to immediate family members. Hobo, the fictitious hybrid bonobo-chimpanzee, creates the first non-human representational art ― “that ability to have a mental picture,” Sawyer points out, “is part of the gaining of consciousness” — and converses in sign language with humans and an orangutan in order to make informed decisions about his fate. Although no such hybrid is known to exist, there is evidence that such breeding could lead to developments in the direction imagined in this story. Sawyer depicts, with frequent references to Helen Keller’s remarkable accounts, Webmind’s struggle to attain and integrate self-awareness, learning, communication, and to grasp and make choices based on moral distinctions. For many readers, it is likely this moral sense which most clearly distinguishes a fully conscious being from a beast or robot. What convinces Caitlin that a consciousness is somehow forming within the Web is her observation of rising Shannon’s Entropy scores as measured against Zipf plots applied to patterns made by rogue cellular automata in the background of the Web. (The science behind Sawyer’s hypothesis on how consciousness might emerge on the Web is explored in detail in Wake and Watch.)

The World as We Know It.

So if the World Wide Web, or maybe the device you are reading on right now, wakes up at midnight tonight, don’t think the only option is to rage against the machines. “Between what I have to say and what the dystopians about AI have to say, there will hopefully be a middle-ground reality that we will actually live in: alongside of, not underneath, our intellectual betters.” And, when WWW: Wonder comes out in April, even those dead-set on fighting our new robot overlords would do well to consider what Sawyer has to say about the very idea of shutting down the World Wide Web.

Leaving aside for now the issue of technology becoming self-aware and surpassing human intellect, what would Sawyer see if he were to flash forward twenty years into the future? “I think we will be continuing the current trend which is — despite what makes news: A smaller percentage of human beings are at war right now than at any other time in human history, there’s a higher degree of literacy right now than at any other time in human history, there are more people enjoying more freedom, civil rights and civil liberties than at any other time in human history … We’ll see much greater ecological sensitivity, and much more globalism and much less jingoistic nationalism in twenty years. We will be a World Wide Web of people … It will be a better world in twenty years.”

More coming soon at AE — The Canadian Science Fiction Review.

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